This summer, the proposals are exhibited here at the West Front Square. They are preliminary and not fully developed. In August, a jury will select three of these designs for further development, with the final winner announced in January 2025. The new doors will be crafted in NDR's workshop, Bygghytta, replacing the temporary doors installed nearly 100 years ago in 1930 amid the reconstruction of the western nave.

A historic project

When Norway’s first constitution was adopted in 1814, it was decided that Nidaros Cathedral would be the place in which Norway’s kings would be crowned. At that time, the cathedral’s West Nave lay in ruins. Nevertheless, the building was still seen as a symbol of Norway’s glorious medieval past. An extensive restoration programme was therefore initiated in 1869; work that continues to this day.

Besides the Vigeland Sculpture Park in Oslo, the West Front of Nidaros Cathedral is the largest sculpture project undertaken in Norway in the 20th century. Cathedral architect Helge Thiis (1897–1972) invited many influential artists to contribute to the design of the facade, which was completed in the 1980s – with the exception of the doors.

From temporary to new doors

The three doors currently in place on Nidaros Cathedral’s West Front date from 1930. The doors were made as a temporary solution in connection with the 900th anniversary of St Olav’s death. They were roughly built and were only ever intended to meet the need for a short period until the nave was finished.

Thanks to a generous gift, the Nidaros Cathedral Restoration Workshop now has the opportunity to commission new ornamental doors to adorn the cathedral’s characteristic West Front.

What is the significance of the doors?

In the Middle Ages, church doors symbolised the transition between the sacred and the profane. Throughout history, church doors have been important. They have been used to tell stories, disseminate information, demonstrate the social hierarchy and offer protection or asylum.

Today, at a time of cultural and spiritual diversity, these doors invite us to reflect on our personal and collective faith. The doors of Nidaros Cathedral are therefore not merely the entrance to a Christian house of worship, but are also a symbol of the liminal experience of being human – going from one condition to another, seeking and belonging.

The artists who are designing the new doors must take account of a rich history, while also visualising today’s understanding of a liminal space – a place for reflection, change and dialogue between the past and the present.